Mirrorshades question 4: Cyberpunk style
In the preface, Sterling says about the book:
The cyberpunks as a group are steeped in the lore and tradition of the SF field.
Many of the cyberpunks write in a quite accomplished and graceful prose; they are in love with style, and are (some say) fashion-conscious to a fault.
Cyberpunk work is marked by is visionary intensity. Its writers prize the bizarre, the surreal, the formerly unthinkable.
It favours "crammed" prose: rapid, dizzying bursts of novel information, sensory overload that submerges the reader in the literary equivalent of the hard-rock "wall of sound".
Do you agree with these sentiments? Is this an accurate description of the work here, and is it distinct from other work of the same time? Has this style remained distinct, or is it now part of the general discourse?
Comments
Now, there's nothing intrinsically right or wrong focusing on ideas rather than style, especially in a short story, but it seems to me that Sterling here is trying rather frantically to claim some sort of high ground which the authors themselves are not bothered about.
I think he's being pretentious after the fact. Probably read Dhalgren and thinks that's what he was doing all along...